RAMONA BRAN AND ANDREEA PELE |
FROM CANDIDATE TO PRESIDENT OBAMA’S DISCOURSE TWO YEARS LATER |
|
ANCA
CEHAN |
I’M
LOVIN’ IT |
|
OCTAVIAN COSTE |
LEXICAL GAPS IN ROMANIAN FROM THE PERSPECTIVE OF ENGLISH: THE
CASE OF CULINARY VERBS |
|
GORDANA DIMKOVIĆ-TELEBAKOVIĆ |
VERBAL FORMS IN SPECIALIZED WRITTEN DISCOURSE |
|
ÁGNES
HERCZEG-DELI |
PROSODY IN ELICITATIONS: A STUDY OF INTONATION IN BBC TALK RADIO
SHOWS |
|
GAŠPER ILC |
IT
WILL/MUST/MAY BE A MODAL AUXILIARY |
|
ROMANIŢA JUMANCA |
TYPES OF METAPHORS IN THE ENGLISH LEGAL
DISCOURSE |
|
ÉVA
KOVÁCS |
THE
ROLE OF CONTEXT IN POLYSEMY |
|
TANJA MILIĆEV, NATAŠA MILIĆEVIĆ, MAJA
MARKOVIĆ |
PROSODIC AND SEMANTIC PROPERTIES OF
INTONATIONAL PHRASES |
|
MARIANNA LYA ZUMMO |
IN-BETWEEN DISCOURSE AND GENRE:
DOCTORPATIENT INTERACTION IN ONLINE COMMUNICATION: FORMAL AND
INFORMAL FEATURES IN CMC |
|
FLORENTINA ANGHEL |
ALIENATION IN CARYL CHURCHILL’S A NUMBER |
|
ANA
CRISTINA BĂNICERU |
GOING BACK TO ONE’S ROOTS: THE REVIVAL OF
ORAL STORYTELLING TECHNIQUES IN THE ENGLISH CONTEMPORARY NOVEL |
|
LUIZA
MARIA CARAIVAN |
A RETURN TO SENSES: THE HEALTHY SELF IN
NADINE GORDIMER’S WRITINGS |
|
CORNELIA COŞER |
DANIEL MARTIN'S MULTIPLE JOURNEYS |
|
CLAUDIA IOANA DOROHOLSCHI |
OFF THE BEATEN PATH: ELLA D'ARCY'S YELLOW
BOOK STORIES |
|
PATRICIA-DORLI DUMESCU |
RECONSTRUCTING A LIFE: CHARLES ‘BUDDY’
BOLDEN |
|
GABRIELA GLĂVAN |
TRAGIC INNOCENCE IN PHILIP ROTH’S AMERICAN
PASTORAL |
|
GEORGIANA LOLEA |
AN EASTERN EUROPEAN TRAVELER TO
PARADISE.LOS ANGELES IN PETRU COMARNESCU’S AMERICAN TRAVELOGUE
FROM 1934 |
|
DIANA- GABRIELA LUPU |
THE PORTRAIT OF ENGLAND IN HENRY JAMES’S
INTERNATIONAL NOVELS |
|
AMALIA MĂRĂŞESCU |
THE EMERGENCE OF THE ARCHAIC IN MARGARET
DRABBLE’S THE RADIANT WAY AND A NATURAL CURIOSITY
|
|
ANDREEA MINGIUC |
REVENGEFUL VIOLENCE – HANNAH DUSTON’S
CAPTIVITY NARATIVE AND THE PURITAN PARADOX |
|
DANA
PERCEC |
GENDER AND IRONY IN THE EARLY MODERN
ENGLISH ROMANCE |
|
MARTIN POTTER |
THE TRUTH OF ART IN DAVID JONES AND
HANSGEORG GADAMER |
|
ANDREEA ŞERBAN |
REINSCRIBING SEXUALITY: MANGA VERSIONS OF
ROMEO AND JULIET |
|
ALAN
S. WEBER |
WHAT DID SHAKESPEARE KNOW ABOUT
COPERNICANISM? |
|